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In this old city brimming with histories, cultures and acceptance, a Singaporean finds a new, refreshing globalism.
In this old city brimming with histories, cultures and acceptance, a Singaporean finds a new, refreshing globalism.
Poll news round-up; activists under threat, again; Orchard Towers now home to a church; youngsters spurning nightlife; love and passion in Chinese opera; obituary of Lim Tze Peng, hitherto Singapore’s oldest living artist; efforts to turn Punggol into Singapore’s Silicon Valley; and more.
A conventional “success” story reflects on her experience in the GEP programme, and what it says about the Singaporean education system.
PSP’s Tan Cheng Bock ‘open’ to running in next GE, threat of AI-generated deepfake porn, 50th anniversary of the Laju Incident, Singapore Repertory Theatre becomes the Singapore Theatre Company, national AI strategy gets a boost from industry giants, and more.
Dear paid subscriber, This past week has seen a multitude of jokes online about S Iswaran, former transport minister with the ruling People’s Action Party (PAP), who’s just been handed 27 charges by the Attorney-General’s Chambers (AGC). We’ve collated some of our favourites below. Many questions...
Through the process of making onde-onde, Berlin-based writer Law Zi-Ting meditates on what it means to embrace ambiguity and unpredictability in a world that operates on data and strict binaries. “Steam sweet potato until tender.”
White supremacy in Singapore, fewer teenage pregnancies, preserving our heritage trades, spotlighting new writing in theatre, leaping into green tech, and more.
Dear reader, Corrie Tan, Jom’s newish arts editor, has today published her first* piece of criticism for us, on “The Vault: Past Perfect”, a piece of documentary theatre that reveals how the Singaporean theatre industry has come of age. “If we think of grammar as a linguistic structure within...
An intimate piece of documentary theatre performed by three respected practitioners reveals how the Singaporean theatre industry has come of age—and how that generation has shaped the theatrical age we now live in.
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