A critic’s third watch of Wild Rice’s sprawling play “Hotel” prompts questions about how we might sojourn through a national history from a room with a specific view. Since its first staging in 2015, how has “Hotel” played host to Singapore’s societal and political changes?
A Swiftie reflects on the extremes of adolescence as seen through fandom and internet culture, remembering how Taylor Swift’s music punctuated key technological changes in her life, and offered her space for self-reflection and growth.
For almost a decade, Alan Soon and Rishad Patel of Singaporean firm Splice Media have been talking about the ongoing transformation in the media, and advising start-ups across the region. What have they achieved thus far?
This essay delves into three foundational aspects that constitute (and sometimes limit) conventional understanding of what it means to be a man, and suggests a more flexible concept of masculinity, one that holds space for more than a single version of a man.
How has Singapore’s public housing model evolved since independence? In analysing the roots of this model and examining the factors contributing to the current public housing crisis, this essay argues that a revision of the original Housing and Development Board programme is vital moving forward.
We go roadtripping with Sim Jiaying as she guides us through a meticulous reading of director Anthony Chen’s paean to disaffected Chinese youth, “The Breaking Ice”. The film becomes a point of embarkation for a broader discussion of the road movie genre—as reimagined by Singaporean filmmakers.
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