Now more than fifty years old, the zombie-like persistence of Sentosa’s Japanese surrender waxworks suggests there is more to the exhibit than meets the eye. A Singapore story cast without Singaporeans, it tells us as much about those who observe, as those depicted.
We honour the public figures who left for the great beyond this year after indelibly shaping Singapore’s social, cultural, political, and artistic worlds.
What happens when we turn to machines that approximate humanity, for our very human troubles?
A distorted Confucianism in service of the state may not allow open mutiny but rebellion can still flower within, as Tan Siyou’s award-winning film “Amoeba” movingly shows through its schoolgirl protagonists.
The recent sighting in Sungei Buloh of the Rhinoceros hornbill, thought to be locally extinct, brought joy. It was a sobering reminder too, of what we’ve lost in our headlong, heedless rush toward modernity.
What does the 38 Oxley Road saga reveal about us as a people?
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